vladimir Propp to the descent
1. the villian- this is the crawlers as they kill the women of one by one.
2.the donor- unknown previous climbers that has left scrawlings on wall.
3. the magical helper- juno, beth, sam and rebecca.
4.princess and her father- princess is daughter, as Sarah wants her,and hallucinates about her towards the end. The father cant be distingiushed; both died at begining of film.
5. dispatcher- juno as she leads them to cave of which isn't the one she said, and Sarah as she sends people off to do jobs.
6. Hero- Sarah as she is innocent and ends with her daughter but still trpped in the cave.
7. false hero- juno, as she lies about killing beth and she blames it on the crawlers, she isnt innocent as she makes out, just trying to look a hero
i found it hard to connect The Descent to Vladimir Propp's seven actions, his seven action is hard to apply to films especially to certain genres.
Thursday, 3 December 2009
reasearch of Vladimir Propp and his seven actions
Vladimir Yakovlevich Propp was a Russian formalist scholar who analysed the basic plot components of Russian folk tales to identify their simplest irreducible narrative elements.
Contending that fairy tales could be studied and compared by examining their most basic plot components, Formalist Vladimir Propp developed an analysis that reduced fairy tales to a series of actions performed by the dramatis personae in each story. Propp argued that all fairy tales were constructed of certain plot elements, which he called functions, and that these elements consistently occurred in a uniform sequence. Based on a study of one hundred folk tales, Propp devised a list of thirty-one generic functions, proposing that they encompassed all of the plot components from which fairy tales were constructed.
Vladimir Yakovlevich's seven actions:
1. The Villian- In the film, the main villains are the Nazis, who intend to get the Holy Grail and use it for their own evil plans of world domination and preservance of their Nazi race.
2. The Donor- The donor in this film is Henry Jones Snr who gives his son , Henry Jones Jnr a diary which will lead him to the Holy Grail itself, through various clues, maps and diagrams.
3. The Helper- In the film, there are various helpers in the form of Marcus Brody, Sallah and Henry Jones Snr who help Indian Jones find the Holy Grail and help him defeat the Nazis and stop them from obtaining the dairy.
4. The Princess- The princess in this film is Elsa who needs to be rescued from the Nazis but could be sly, two faced and be scheming.
5. The Dispatcher- In this film, Henry Jones Snr is seen to be the dispatcher, as he sends his son on a hunt to find the Holy Grail, a much treasured artifact which needs to be maintained and kept in a museum. Henry Jones gives him a diary which will help him find the grail and through maps, diagrams and bief descriptions he is intended to find the holy grail.
6. The Hero- Indiana Jones is the main protagonist or hero in the film, as the audience identify with him as he is the main character that is shown in the film and tends to restore the equilibrium, at the beginning of the film. which was at the beginning of the film
7. The False Hero- Intentionally, Elsa is seen to be the false hero, in that, at the beginnign of the film, she is seen to be insightful and helpful towards Indiana Jones in finding the Holy Grail, however, she turns out to be a two faced, manipulative character who ends up spying for the Nazis and aiding them in finding the grail, and just wants to have power.
Contending that fairy tales could be studied and compared by examining their most basic plot components, Formalist Vladimir Propp developed an analysis that reduced fairy tales to a series of actions performed by the dramatis personae in each story. Propp argued that all fairy tales were constructed of certain plot elements, which he called functions, and that these elements consistently occurred in a uniform sequence. Based on a study of one hundred folk tales, Propp devised a list of thirty-one generic functions, proposing that they encompassed all of the plot components from which fairy tales were constructed.
Vladimir Yakovlevich's seven actions:
1. The Villian- In the film, the main villains are the Nazis, who intend to get the Holy Grail and use it for their own evil plans of world domination and preservance of their Nazi race.
2. The Donor- The donor in this film is Henry Jones Snr who gives his son , Henry Jones Jnr a diary which will lead him to the Holy Grail itself, through various clues, maps and diagrams.
3. The Helper- In the film, there are various helpers in the form of Marcus Brody, Sallah and Henry Jones Snr who help Indian Jones find the Holy Grail and help him defeat the Nazis and stop them from obtaining the dairy.
4. The Princess- The princess in this film is Elsa who needs to be rescued from the Nazis but could be sly, two faced and be scheming.
5. The Dispatcher- In this film, Henry Jones Snr is seen to be the dispatcher, as he sends his son on a hunt to find the Holy Grail, a much treasured artifact which needs to be maintained and kept in a museum. Henry Jones gives him a diary which will help him find the grail and through maps, diagrams and bief descriptions he is intended to find the holy grail.
6. The Hero- Indiana Jones is the main protagonist or hero in the film, as the audience identify with him as he is the main character that is shown in the film and tends to restore the equilibrium, at the beginning of the film. which was at the beginning of the film
7. The False Hero- Intentionally, Elsa is seen to be the false hero, in that, at the beginnign of the film, she is seen to be insightful and helpful towards Indiana Jones in finding the Holy Grail, however, she turns out to be a two faced, manipulative character who ends up spying for the Nazis and aiding them in finding the grail, and just wants to have power.
Wednesday, 2 December 2009
Essay on creep for Mrs Raji
How do performance, mise-en scene and sound construct meaning and provoke response in a sequence from ‘Creep’?
The scene I will be analysing is a sequence from the middle of 'Creep'.
A film about a women called 'Kate' who heads for the underground after being unable to find a taxi, she takes a seat away from the crowd of late night revellers to wait for the last train however drifts of to sleep, Kate wakes to find everyone gone. She momentarily panics until another train pulls in of which she aboard; unnerved that she’s the only passenger. Halfway through the tunnel, train jerks to a halt violently. The lights shut off and the train is plunged into darkness. She is not alone and for her, her nightmare has begun.
The micro features that I will be analysing are performance, mise-en-scene and sound.
The first thing we see at the start of the sequence is the killer, his appearance is also clear and 'extreme', he has loads of cuts all over him which could inform the audience that he may have been tortured or injured somehow, however his facial expression says to differ as his expression is plain and just looks like he is starring at something or someone as in the background we can hear crying. Adding to the point, when you look at his skin, we can tell he has been underground for ages as he is filthy and dirty. His posture suggests that he has had to adapt naturally to the surroundings. Just from the start of this shot, the audience is made feeling uncomfortable jus by this look and their thoughts on it.
We can also see that he has blood around one eye which could indicate injury to the audience. while the framework is on a close-up of the killer and we cans till hear crying saying 'please' and 'no' in the background which gives the audience an idea of whom or what they might see next.
In the next shot we see the other character that is crying, named Mandy, tied to an operating chair petrified. Mandy's appearance is not pleasant either, this gives the audience an indication of what may have happened previously to this scene as she has blood all over her and she looks like she has been through hell.
We can tell that Mandy is not suppose to be there and is there against her will as she is crying and begging the killer to 'stop'. Using the operating chair could give the audience and hint of the location, they mat be in a surgery room but also what may appear next. On top of Mandy, there is a dirty bloody sheet laid over her, that is yet again, used in surgery's however the sheet looks as if it has been used frequently but not cleaned because of the blood stains.
In the background we can clearly see that there are some sort of jars in a row of dead or undeveloped babies in liquid on a shelf, this could be disturbing, especially to a female audience because most women have a maternal instinct. These jars could also be called 'specimens'.
Next the killer is standing to Mandy's right just starring at her, which may be intimidating; this gives the audience an impression that he might find her intreging. Then he pulls down the operating light quite violently, shinning straight into Mandy's face.
The frame goes onto a close-up of the side of the killers face and the audience can manage to see that there is blood coming out of his ear and eye, this could be a sock to the audience because in real life that would be very serious and may even be excruciating for the individual.
The interaction between both characters here is a little confusing for the audience as we can gather that the killer has or is going to hurt Mandy however now he is trying to comfort her by stroking her hair/head and leaning his head on hers, while this frightens Mandy as she knows she may not survive, also Mandy is crying 'jimmy' which is her boyfriend, to maybe gain some hope that he will come and help her, however she does not know he is dead.
The next shots are weird and unexpected as the killer walks over to the sink, turns the tap and washes his hands, yet no water has came out. Although he may not be aware of this as he may be pre-octipied with his thoughts, so he still flicks his hands as if they were wet; Mandy can see and has a clear view of this as she is watching him whilst he does this and automatically panics more and carries on crying for 'jimmy', also many thoughts must be going through her mind for example 'why is he doing this?' as same for the audience. This also shows his level insanity.
There is no dialogue from the killer through this whole scene which makes him seem caulis, evil and unfeeling which heightens the worry of the audience and the tension that is created.
Next the audience is made to feel sorry for Mandy as she is sobbing to the killer saying 'if you let me go, I wont tell anyone, I promise, please don’t hurt me' however the killer has no emotion or second thoughts, we can just see his plain face looking up at the roof while he puts on his dirty apron, this indicates to the audience that the killer may do something to Mandy with all the operating equipment.
There is a close-up of a tray full of theatre equipment usually used in hospitals for an operation, the killer picks up the rubber gloves that is dirty and, yet again, bloods stains with holes and puts them on, emotion is shown here as he blows into them first which give an indication that he must have seen someone do that before; however he doesn't put them on properly as his fingers are not in the finger placements, which might make it difficult to do anything, this is clear that he doesn’t know what he’s doing, then stands there for a few seconds starring at Mandy, this not only makes Mandy panic but also the audience as they might be wondering ‘what is he going to do?’ or ‘why has he just put gloves on like that?’; while the killer is just standing there with his hands up, this comes across that he might be implying that he is ready to do something and is foreshadowing what may come next with the knife. In the background there is a non-diagetic sound/music that connotes danger and helps creates the tension and atmosphere more.
When one looks at the killer, the killer looks like an undeveloped fetus; this could not only be a comparison of his undeveloped human behavior but also could relate to the jars behind the operating chair mentioned previously.
The camera has moved from the killer facing onto Mandy, but at another different point of view of her, looking towards her upper body from her feet, in this shot the audience can see that Mandy legs and feet are tied apart, this makes the audience feel disgusted and uncomfortable, as the lags are tied apart that could connote pregnancies and relates to the speciums behind on the shelf.
The killer then gets a gas mask to put on Mandy, which is used to try and ease the pain, however there is a shot that informs the audience that the mask is not plugged in, as a result it is not going to work; during this shot we can also see that the floor has not been cleaned in quite a while and there is blood everywhere, this shows the level of blood and that a lot of torture has token place, this also make the audience wonder ‘What else could this man do?’, Mandy tries and struggles to get the killer of her face with the mask, which creates tension between both characters and the setting in one shot, whilst the killer is looking at the roof as if counting how long Mandy has to have the mask on. The music get louder at this point that sounds ‘heavenly’ with woodwind instruments connoting a feeling of souls going up to heaven, this could explain Mandy and what may happen to her and that her soul may leave this place too.
The killer’s actions create tension when washing his hands in no water and using the gas mask as if it’s clear he is mental. And this is added too by the slow actions as he does it.
The lighting being dark and ‘creepy’ in slightly sepia tones makes it more dangerous as if it represents his ‘state of mind’. This all creates tension and makes the audience feel uneasy.
After this the killer walks back over to the tray full of the operating equipment and drags off a ‘machete’ knife, this is not a normal surgical instrument however would do more damage, as the audience can hear the scrapping noise created by the metal tray and the knife, this also a clear slow shot so that the audience gets a good view of what the knife looks like. The underscore of the sequence is low however when the knife is touched the tone of the music changes which gives the audience a warning.
The killer looks up at the knife in the air then at Mandy, maybe checking the size, this makes the audience, especially a female audience uncomfortable as they can gather more of what may happen.
The music during these shots is like a ‘banging’ sound that is quite fast and almost sounds like heart beats of which could connote the characters heart and emotion as it builds up Mandy’s panic but same with the audience too.
The killer changes position to standing beside Mandy lifts up the knife towards the right and put it up Mandy’s vagina, the screen goes onto a blackout as we hear a cream.
The non diagetic sound of the knife and the connotations of doing so will provoke discomfort for a female viewer.
Women can relate to it and so feel shocked and uneasy and disturbed at it.
There is many connotations to do with a surgery and can give the viewers a clue of why he is how he is, some conclusions could be that his father may have been a surgeon or the killer may have been before turning mental.
Overall, I think this sequence provokes a reaction from its viewers greatly and mainly with females, the three micro features all connect throughout to create this discomfort and an intensely tension and atmosphere.
The scene I will be analysing is a sequence from the middle of 'Creep'.
A film about a women called 'Kate' who heads for the underground after being unable to find a taxi, she takes a seat away from the crowd of late night revellers to wait for the last train however drifts of to sleep, Kate wakes to find everyone gone. She momentarily panics until another train pulls in of which she aboard; unnerved that she’s the only passenger. Halfway through the tunnel, train jerks to a halt violently. The lights shut off and the train is plunged into darkness. She is not alone and for her, her nightmare has begun.
The micro features that I will be analysing are performance, mise-en-scene and sound.
The first thing we see at the start of the sequence is the killer, his appearance is also clear and 'extreme', he has loads of cuts all over him which could inform the audience that he may have been tortured or injured somehow, however his facial expression says to differ as his expression is plain and just looks like he is starring at something or someone as in the background we can hear crying. Adding to the point, when you look at his skin, we can tell he has been underground for ages as he is filthy and dirty. His posture suggests that he has had to adapt naturally to the surroundings. Just from the start of this shot, the audience is made feeling uncomfortable jus by this look and their thoughts on it.
We can also see that he has blood around one eye which could indicate injury to the audience. while the framework is on a close-up of the killer and we cans till hear crying saying 'please' and 'no' in the background which gives the audience an idea of whom or what they might see next.
In the next shot we see the other character that is crying, named Mandy, tied to an operating chair petrified. Mandy's appearance is not pleasant either, this gives the audience an indication of what may have happened previously to this scene as she has blood all over her and she looks like she has been through hell.
We can tell that Mandy is not suppose to be there and is there against her will as she is crying and begging the killer to 'stop'. Using the operating chair could give the audience and hint of the location, they mat be in a surgery room but also what may appear next. On top of Mandy, there is a dirty bloody sheet laid over her, that is yet again, used in surgery's however the sheet looks as if it has been used frequently but not cleaned because of the blood stains.
In the background we can clearly see that there are some sort of jars in a row of dead or undeveloped babies in liquid on a shelf, this could be disturbing, especially to a female audience because most women have a maternal instinct. These jars could also be called 'specimens'.
Next the killer is standing to Mandy's right just starring at her, which may be intimidating; this gives the audience an impression that he might find her intreging. Then he pulls down the operating light quite violently, shinning straight into Mandy's face.
The frame goes onto a close-up of the side of the killers face and the audience can manage to see that there is blood coming out of his ear and eye, this could be a sock to the audience because in real life that would be very serious and may even be excruciating for the individual.
The interaction between both characters here is a little confusing for the audience as we can gather that the killer has or is going to hurt Mandy however now he is trying to comfort her by stroking her hair/head and leaning his head on hers, while this frightens Mandy as she knows she may not survive, also Mandy is crying 'jimmy' which is her boyfriend, to maybe gain some hope that he will come and help her, however she does not know he is dead.
The next shots are weird and unexpected as the killer walks over to the sink, turns the tap and washes his hands, yet no water has came out. Although he may not be aware of this as he may be pre-octipied with his thoughts, so he still flicks his hands as if they were wet; Mandy can see and has a clear view of this as she is watching him whilst he does this and automatically panics more and carries on crying for 'jimmy', also many thoughts must be going through her mind for example 'why is he doing this?' as same for the audience. This also shows his level insanity.
There is no dialogue from the killer through this whole scene which makes him seem caulis, evil and unfeeling which heightens the worry of the audience and the tension that is created.
Next the audience is made to feel sorry for Mandy as she is sobbing to the killer saying 'if you let me go, I wont tell anyone, I promise, please don’t hurt me' however the killer has no emotion or second thoughts, we can just see his plain face looking up at the roof while he puts on his dirty apron, this indicates to the audience that the killer may do something to Mandy with all the operating equipment.
There is a close-up of a tray full of theatre equipment usually used in hospitals for an operation, the killer picks up the rubber gloves that is dirty and, yet again, bloods stains with holes and puts them on, emotion is shown here as he blows into them first which give an indication that he must have seen someone do that before; however he doesn't put them on properly as his fingers are not in the finger placements, which might make it difficult to do anything, this is clear that he doesn’t know what he’s doing, then stands there for a few seconds starring at Mandy, this not only makes Mandy panic but also the audience as they might be wondering ‘what is he going to do?’ or ‘why has he just put gloves on like that?’; while the killer is just standing there with his hands up, this comes across that he might be implying that he is ready to do something and is foreshadowing what may come next with the knife. In the background there is a non-diagetic sound/music that connotes danger and helps creates the tension and atmosphere more.
When one looks at the killer, the killer looks like an undeveloped fetus; this could not only be a comparison of his undeveloped human behavior but also could relate to the jars behind the operating chair mentioned previously.
The camera has moved from the killer facing onto Mandy, but at another different point of view of her, looking towards her upper body from her feet, in this shot the audience can see that Mandy legs and feet are tied apart, this makes the audience feel disgusted and uncomfortable, as the lags are tied apart that could connote pregnancies and relates to the speciums behind on the shelf.
The killer then gets a gas mask to put on Mandy, which is used to try and ease the pain, however there is a shot that informs the audience that the mask is not plugged in, as a result it is not going to work; during this shot we can also see that the floor has not been cleaned in quite a while and there is blood everywhere, this shows the level of blood and that a lot of torture has token place, this also make the audience wonder ‘What else could this man do?’, Mandy tries and struggles to get the killer of her face with the mask, which creates tension between both characters and the setting in one shot, whilst the killer is looking at the roof as if counting how long Mandy has to have the mask on. The music get louder at this point that sounds ‘heavenly’ with woodwind instruments connoting a feeling of souls going up to heaven, this could explain Mandy and what may happen to her and that her soul may leave this place too.
The killer’s actions create tension when washing his hands in no water and using the gas mask as if it’s clear he is mental. And this is added too by the slow actions as he does it.
The lighting being dark and ‘creepy’ in slightly sepia tones makes it more dangerous as if it represents his ‘state of mind’. This all creates tension and makes the audience feel uneasy.
After this the killer walks back over to the tray full of the operating equipment and drags off a ‘machete’ knife, this is not a normal surgical instrument however would do more damage, as the audience can hear the scrapping noise created by the metal tray and the knife, this also a clear slow shot so that the audience gets a good view of what the knife looks like. The underscore of the sequence is low however when the knife is touched the tone of the music changes which gives the audience a warning.
The killer looks up at the knife in the air then at Mandy, maybe checking the size, this makes the audience, especially a female audience uncomfortable as they can gather more of what may happen.
The music during these shots is like a ‘banging’ sound that is quite fast and almost sounds like heart beats of which could connote the characters heart and emotion as it builds up Mandy’s panic but same with the audience too.
The killer changes position to standing beside Mandy lifts up the knife towards the right and put it up Mandy’s vagina, the screen goes onto a blackout as we hear a cream.
The non diagetic sound of the knife and the connotations of doing so will provoke discomfort for a female viewer.
Women can relate to it and so feel shocked and uneasy and disturbed at it.
There is many connotations to do with a surgery and can give the viewers a clue of why he is how he is, some conclusions could be that his father may have been a surgeon or the killer may have been before turning mental.
Overall, I think this sequence provokes a reaction from its viewers greatly and mainly with females, the three micro features all connect throughout to create this discomfort and an intensely tension and atmosphere.
Tuesday, 13 October 2009
h/w for Raji ..... three film sequence and responses.
my initial film sequence that i had choosen is 'Silent Hill' because i personally beleive that the director wanted a certain response from the audience from the ending scene because it is a little confusing from different aspects.
However now i have changed my film sequence to 'Creep' as i think there is better and more micro elements that can be explored and annotate.
One film that i have choosen is '28 days later' towards the begining to middle, where the man from the hospital is in his parents house and suddenly one of the 'diseased' came and smashed through the window to try and get to him, while i watched this for the first time the other day, it made me jump quite badly and i wasn't expecting it and i think that is what the director/producers was hoping for. And cos i wasn't expecting it i think that this adds to the tension of the whole film and maybe that was jus a little taster of what might be appearing.
Another film was 'creep' the middle scene where the woman first see's the disorintated man, who must havegot something creeply wrong with him, while i watched this bit, even tho i have watched it before, it always manages to get me, and i always jump !! then after it makes me scared and cautious of the rest of the film, which i think is a good response and as the genre is horror, i think that this was intension.
However now i have changed my film sequence to 'Creep' as i think there is better and more micro elements that can be explored and annotate.
One film that i have choosen is '28 days later' towards the begining to middle, where the man from the hospital is in his parents house and suddenly one of the 'diseased' came and smashed through the window to try and get to him, while i watched this for the first time the other day, it made me jump quite badly and i wasn't expecting it and i think that is what the director/producers was hoping for. And cos i wasn't expecting it i think that this adds to the tension of the whole film and maybe that was jus a little taster of what might be appearing.
Another film was 'creep' the middle scene where the woman first see's the disorintated man, who must havegot something creeply wrong with him, while i watched this bit, even tho i have watched it before, it always manages to get me, and i always jump !! then after it makes me scared and cautious of the rest of the film, which i think is a good response and as the genre is horror, i think that this was intension.
Tuesday, 6 October 2009
Raji H/W film sequence presentation
The sequence of my chosen film is the ending of ‘Silent Hill’ to present in class and try and explain about the cinematography, editing, mise-en-scene and sound.
This film is about a young girl who starts to have visions and sleep walks during her sleep about a place called ‘Silent Hill’ and during one part of the film she drew a picture of her mum and dad, then whilst she was asleep she had scribbled it all out in dark colours and made it look evil, one problems the family had is that the little girl could not remember anything she had done.
The ending scene as you can tell from the clip below is where the mother just managed to save her daughter from the mental people killing her because they thought she was processed, then they both go home to the husband/dad.
The lighting in this ending scene is very persific and we can tell it is edited, as when the camera is showing the mother and daughter the lighting is very high key and like a dream almost, not realistic, of which you can tell however when the camera is on the dad, the lighting is not the same, even though they’re in the same place, the lighting is very realistic and not as light. This also adds to the plot and helps the viewers understand what happens; during the film the daughter and mother dies however we cannot see this till the end scene where the mother and daughter goes home where the dad is, however the dad cannot see them neither they cannot see him at all.
The camera adds to this too because it is shoot where the dad is not in the same frame as the mother and daughter, which also proves and helps the viewers understand this.
There is not much talking included in this, however there is music which I think adds to the tensions of the scene, and makes it more powerful, basically saying the mother and daughter is shocked by the previous events occurred and that they are home and it looks like everything look exactly the same as it did when they left. Also I think that they are a little confused them self because they cannot see the father there.
One prop that I know is important in this particular scene is the phone; the mother uses the phone to ring her husband to say they are on their way home now however on the other end of the phone, the man picks up but all he can hear is a fizzle noise which also connote that something is still wrong but we just don’t know it yet.
The costuming in this film has a little importance because if someone jus watches the ending, they can easily tell that the mother and daughter has been threw a lot with their dirty ripped clothes, as for the father, he wears a suit which show’s he is a business man who like to look smart.
This film is about a young girl who starts to have visions and sleep walks during her sleep about a place called ‘Silent Hill’ and during one part of the film she drew a picture of her mum and dad, then whilst she was asleep she had scribbled it all out in dark colours and made it look evil, one problems the family had is that the little girl could not remember anything she had done.
The ending scene as you can tell from the clip below is where the mother just managed to save her daughter from the mental people killing her because they thought she was processed, then they both go home to the husband/dad.
The lighting in this ending scene is very persific and we can tell it is edited, as when the camera is showing the mother and daughter the lighting is very high key and like a dream almost, not realistic, of which you can tell however when the camera is on the dad, the lighting is not the same, even though they’re in the same place, the lighting is very realistic and not as light. This also adds to the plot and helps the viewers understand what happens; during the film the daughter and mother dies however we cannot see this till the end scene where the mother and daughter goes home where the dad is, however the dad cannot see them neither they cannot see him at all.
The camera adds to this too because it is shoot where the dad is not in the same frame as the mother and daughter, which also proves and helps the viewers understand this.
There is not much talking included in this, however there is music which I think adds to the tensions of the scene, and makes it more powerful, basically saying the mother and daughter is shocked by the previous events occurred and that they are home and it looks like everything look exactly the same as it did when they left. Also I think that they are a little confused them self because they cannot see the father there.
One prop that I know is important in this particular scene is the phone; the mother uses the phone to ring her husband to say they are on their way home now however on the other end of the phone, the man picks up but all he can hear is a fizzle noise which also connote that something is still wrong but we just don’t know it yet.
The costuming in this film has a little importance because if someone jus watches the ending, they can easily tell that the mother and daughter has been threw a lot with their dirty ripped clothes, as for the father, he wears a suit which show’s he is a business man who like to look smart.
Monday, 5 October 2009
Wednesday, 30 September 2009
Thrasher's h/w
Twilight
This is the picture that i chosen to use as a good light contrast.
here you can see that the light was put in a particluar area to light up the the man in the mirror that is holding the other man by the neck so that we can clearly see his facial expression.
the elabite use of light adds to the suspence and atmosphere of which this scence was creating.
Subscribe to:
Comments (Atom)
